Big Band Swing evolved during 1930s and ’40s wartime – a time of great oppression. It served to lift the spirits of those at that time, troops and civilians alike. Today too, Big Band Swing shouts an anthem call to all who are weary; Weary of war, worry and woe. So, as B# keeps Big Band Swing alive and live, people from ‘Gen Y to Gen Wartime’ smile, embrace and dance to re-feel their aliveness. And in the depths of their being, the ‘boom, boom, boom’ of today’s ‘modern bombs’ are again drowned by the joy of swing, the joy of life.
Month: August 2016
” I think the way the trio plays has evolved and is sounding more unified – which is what happens with time spent playing together, and I think the new recording reflects this.
We’re still definitely exploring the textual and dynamic changes, going from relaxed tempos and feels through to some faster and more frenetic pieces.”
“I was always interested in boogie and ragtime, but didn’t have a teacher for that style, so I taught myself, with great difficulty, later in life.
I regret I didn’t live in Hamburg during the 1970s, when there was the huge explosion of boogie and blues piano players, the best in the world. It would have been clearer and quicker for me if I could have been part of that scene.”
Sydney and New York should consider themselves lucky to share an artist of the caliber of Philip Johnston. The inventive Jazzman divides his time in both cities, playing with the legendary Microscopic Septet, or his own Greasy Chicken Orchestra. His music is a sardonic take on hot jazz through an avant-grade prism, as will discover …
So as the night progressed and fog was falling outside, the audience was invited on a journey from swing tunes full of upbeat rhythm to torch songs aiming to touch everyone’s hearts and souls.
Led by the energetic Henry K, the 17-piece orchestra (featuring brass, string and percussion instruments in a perfect homophony) was augmented by the presence of three amazing singers, alternating on the bandstand: Tamara Kuldin, Julie O’Hara and Frank Benedetto
Utilizing listening, demonstration, discussion and practical application, attendees gain insight into transferring relevant techniques to their band room. In Essentially Ellington’s rich 19-year history, JALC has distributed more than 120,000 charts to more than 4,200 schools, reaching over 504,000 students.
The music is located somewhere to the north-east of jazz but definitely south-south-west of European art music. The quartet grew out of Daley’s larger ‘Sanctuary’ project, yet retains that ensemble’s unique breadth of vision, and intricate interweaving of composed and improv elements.
” It’s our intention to make this yearly event a flagship for Queensland Vocal Jazz by providing significant career opportunities, job creation and promotion of jazz artists. We want to celebrate the diversity of the jazz vocal art form which encompasses everything from original works to original reinterpretations of jazz standards – mainstream and contemporary as well as jazz vocal improvisation.”