When he takes out his flute to play ‘It ain’t necessarily so’, he turns it into a hard-grooving soul-jazz anthem and when he plays an actual 60s soul-jazz anthem, like ‘Mercy, Mercy, Mercy’, he does it with a free spirit and a post-bop sensitivity.
When he takes out his flute to play ‘It ain’t necessarily so’, he turns it into a hard-grooving soul-jazz anthem and when he plays an actual 60s soul-jazz anthem, like ‘Mercy, Mercy, Mercy’, he does it with a free spirit and a post-bop sensitivity.