Month: March 2018

Ross McHenry: “The Outsiders is an embrace of my Adelaideness”

“My music sounds like me and it sounds like someone who has not grown up in a major centre like Melbourne, or New York, or London. For a long time I was ashamed of this. But I have begun to realise this is also what makes my music worth listening to; its a part of what makes it unique. Matthew Sheens is also from Adelaide (although he’s been living in NY for many years) and Myele Manzanza comes from Wellington in NZ (which is even smaller and more isolated than Adelaide, where I am from). All three of us are coming from the outside of the centre of the worlds we love, participate in and contribute to. The Outsiders is my reflection on all of this.”

2018 Melbourne International Jazz Festival: the Modern Masters step in

Terri Lyne Carrington, Christian McBride and Branford Marsalis share some common traits. They are all adept at both ‘straight jazz’ styles and the urban r’n’b-infused sub-genres, easily stepping in and out of these worlds, blending elements, mixing things, creating new music. By doing so, they all helped redefine jazz and keep it relevant.

Madeleine & Salomon: “Music is our only weapon”

“This project deals with subjects that were big issues in America from the ’30s to the ’70s and the female singers at that time raised their voices, trying to change things with their singing. If some people may have been thinking that these issues were solved nowadays, Donald Drumpf’ s America and the #metoo movement show that it’s not the case. So by covering these songs, we raise our voices too, and keep on trying to open consciousnesses with music, which is our only weapon.”

Women are the future of jazz

One thing I’ve learned, while I was doing my homework, was that Australia’s first jazz band – literaly trading as ‘Australia’s First Jazz Band’ was formed in Sydney in 1918 by Belle Sylvia. So this year, we’re not only celebrating the centennial of Australian jazz, but also 100 years of female leadership in Australian Jazz. Not a bad legacy for a scene.

Sonja Horbelt: “Everyone in Kennedy Snow inspires me”

“I’m a big fan of electronic music and electronic pop, and I feel the Kennedy Snow music is headed in a very textural direction, with improvisation being probably the strongest jazz element present, rather than traditional jazz harmony or the swing aspect. But then again, jazz these days can be so many things that I struggle to label it as ‘jazz’, just that all the members have a jazz background.”