“I think jazz is the perfect vehicle to explore this historical narrative of the convicts’ journey from slavery to freedom – the founding of Australia was an improvisation in itself, the way that England transplanted itself to the farest corners of the known world, in a land that was foreign to the European surroundings.”
I love guitar, it has the ability to convey an incredibly rich range of textures and sounds, and has a history of amazing players. However, when I choose collaborators, it is often based on the individual: Lionel Loueke and Kurt Rosenwinkel are both unique voices on their instruments, and aesthetically, I felt they were a great match for the respective projects I was working with.
“Adding a guitar to the Vampires distinct chord-less sound world is of course new, however we feel that Lionel’s contribution will help inspire and spur us onto new musical territory. Nick and I have also composed music with Lionel in mind, and so the music will accommodate and make way for his unique style of playing.”
It is a delight to hear Jeremy Rose back in the arms of (almost) straight-ahead Jazz – an added delight is to hear him rocking so sweet and heavy in those arms.
“The guys in the band did such a great job of writing music to really bring Lionel Loueke into the group so he’s a fifth member as opposed to just a guest. I would have loved to be present in the studio just to watch the magic happen!”
“Ultimately my aim was to investigate the type of rule-based composition strategies that were pretty new to me at the start of the project, while allowing plenty of space for the guys to do their thing and bring it all to life.”
Steve Barry’s recent writing has evolved a highly individual and idiosyncratic language that colours the logic of his melodic line. Harmonically he has become even more adventurous, and rhythmically he plays with time and the stretching of time in truly eye and ear-opening ways.
Playing with the Vampires on this album has pulled some startling performances out of Loueke and, in kind, the band rise to his fire one catches oneself thinking they sound the best they ever have; then you realise the Vampires always sound this good.
Since 2011, The Street has put a spotlight on jazz when it began developing a national forum around jazz in Australia’s capital city through bringing leading jazz artists together in Canberra and creating endless possibilities for new audience experiences and expectations.
The Twentieth Century Dog is big on rhythm too – with two drummers and a percussionist, as well as having a bass-player as leader, it is inevitable that there will be grooves of all flavours, and rhythm games running through the music like pulsing veins. Funk, Afro-beat, jazz: all booty-shaking but mind-bending at the same time.