‘…cross-cultural mash-up worked beautifully across the entire suite – a testimony to Robertson’s smart writing, deep research and even deeper emotional connection to the music.’
Network of Lines is a work of ethereal and pure loveliness – albeit one with a red-blooded heart.
In the lead-up to Baecastuff’s performance of Mutiny Music on January 29 2104 at Sydney’s 505, John Hardaker asked Rick a few questions about this remarkable suite of music.
In his liner notes (notes worth the price of admission in themselves), NYC based pianist Barney McAll – no slouch in the ‘daring’ department himself – says, ‘(Keller) has been blending memories, sonic pictures, Bartók, Shorter and an immaculate classical technique to ensure her trajectory could never disappoint. Andrea is a serious inventor.’
Being a visual person, images often swim though my head while listening to music. This image appealed instantly as a perfect expression of the Trio’s music and especially of ishs’ playing – calm and settled on the surface, held in place by a spiritual gravity, its smooth face belieing the many cross currents interweaving and shaping the dark waters below.
It is a jazz format that is one of the most satisfying of all within the canon, and they do it so well. So well, in fact, that they deserve your ears. They already have mine.
on ‘Brother Sykes’ – The band play around each other here, as if conversing, exchanging their grief – the feeling is one of a wake, funereal and puffed-out. It is a nod to the complete musicianship of Alex Boneham that the bass dominates here, expressing so much in answer to the gray-blues and watery mauves thrown at him by Rose and Garbett. All seems to happen underwater, beneath a heavy lid of mortality.
This is Williamson’s eighth album since 2001’s wonderfully-named Non-Consensual Head Compression and, as well as being an obvious evolutionary step, it is a beautiful thing.
‘…when I compose I just sit down and write what I’d like to hear.’
Jenna Cave and Paul Weber’s Divergence Jazz Orchestra is one of Australia’s keepers of the big band flame. More power to them.
And now we have their (astonishing) debut, The Opening Statement.