Prior to publishing his review of Theseus and The Minotaur (Captain Kirkwood), John Hardaker asked Ellen Kirkwood some questions about the album and Here are her responses. 1. The most obvious first – why did you pick the legend of Theseus and the Minotaur for your debut release? This decision was mostly about practicality and …
In fact, on the band’s debut, Theseus and the Minotaur, Kirkwood has taken on a hell of an idea: the Greek legend of Theseus and his battle to the death with King Minos’ monstrous cannibal creature, the Minotaur. The band tell the story over five linked pieces, with narration by Ketan Joshi.
It is a combination you won’t get anywhere else and they are one of Sydney’s – if not Australia’s – treasures. The Siren’s Big Band – long may they sing us over the edge.
It is only six short weeks into the new year and I feel I have heard the best jazz recording of 2013. But that sense of time dislocation is okay because the album I am talking about was recorded and released thirty-two years ago, in 1981.
Thanks for saving me, Ms Green, from a fate worse than deaf.
John Hardaker reviews ECILA | ECILA is a startling debut from an exciting new talent and a dazzling new ensemble. The gratifying part is that, here on their debut, we witness the beginning of a road that I truly hope will stretch far far into the future.
‘a strange and beautiful world conjured among the bricks and grime, the litter and the 7-11 stores’
On the strength of his eponymous debut album, Steve Barry, I get the feeling we will have to do as we did with the Finn brothers and Rusty Crowe (and any other frighteningly talented Kiwi) and willingly refer to him as the Australian pianist and composer Steve Barry. The album really is that good.
US sax giant Dave Liebman called Sugg ‘a dedicated warrior’ and throughout the album his tone and lines (restricted here to only soprano sax) are heroic as he leads his band through the music.
John Hardaker | ‘…the writing and the playing have a lot of humanity – a lot of soul.’