Christian Windfeld: “[our music] is real-time composing and the free-flow of ideas and emotions – an extremely democratic and very accessible music that will calibrate your ears and tune you into the sounds that constantly surround you”.
” These guys didn’t live to play music. They lived because they played music. Music literally kept them alive.”
There have been changes to the submission process for the 2016 Bell Awards. To be considered for submission in 2016 you must be a member of the Australian Jazz Academy or have a member of the Academy endorse your project.
The roster does real justice to the ‘international’ part of its title, as it features musicians from four continents: Europe, Africa, Asia and, of course, our own little corner of the world.
“I would describe it as heart music. There is much complexity in the harmonic and rhythmic structures, however the intention behind any compositional or arranging decision is first and foremost about evoking an emotional response for myself and in the process hopefully the listener. The music is visual and visceral, it’s about dancing and embracing the heavy groove of living.”
The festival, a “cornucopia of music from across centuries and continents”, taking place at the churches, wineries and intimate spaces of Victoria’s Mornington Peninsula, opens on New Year’s Day.
In 2016 JMI will be hosting a 4 day Summer Jazz Clinic from the 18th to the 21st January. Open to a wide age group and a range of ability levels, this short course in jazz improvisation is an intensive injection of fun and knowledge where students have the chance to learn from and play …
“It’s very appealing to have the songs stripped down to essentials and realize that they’re still working.”
Phil Treloar takes it from there, his playing a way to clarify things, put them in order and into perspective.
“Jazz was never a career option for women and that we’re still catching up to our male counterparts, in terms of numbers, but significantly this is changing.”