“The big band orchestration is genius. The instrumentation of five saxes/woodwind, four trombones, 4-5 trumpets and a four – piece rhythm section results in literally countless and millions of different compositional formulas that will never be exhausted, even if every composer in the world was to write for the next thousand years.”
“We’re seeing more women artists in jazz, but perhaps not at the rate we’re expecting. I think one of the biggest challenges is to encourage young players to pursue music at a tertiary level and beyond.”
. We have persisted with our business model and received a warming and supporting response from our guests and musicians. The Paris Cat Jazz club is well established in the Melbourne Jazz scene. In the early years we featured around 150-200 gigs per year. In 2016 we featured just over 500 all because my wife Liz is obsessed with programming bands.
James Carter plays the sax as if his survival depends on taming this shiny, golden reed instrument that possesses this mystical, divine energy that he tries to put to good use for the 55 minutes of each set.
“Performance aspects aside, this album will definitely seek to explore some different compositional structures. ade and I have toyed with – and talked about – the idea of through-composed work and song forms that aren’t of the typical “head-solo-head” structure. Those elements are now coming out in our co-writing, certainly.”
“Studying jazz fostered a strong sense of mindful listening and interaction within a group, nurtured my creativity through improvisation and composition and allowed me to explore various parameters within music which have crossed over into my own writing and singing.”
“I recorded ‘Frame of Reference’ in London over two days with the band coming together for the first time at the session. I’d never really worked in that way before, so it certainly brought some new pressures to the whole thing, but also gave the recording a great intensity and focus.”
“It was never my intention to recreate or imitate my dad’s playing, with Zawinul Legacy; in essence there is only one Joe Zawinul, and I let the music do the talking.”
“When I think to myself ‘what do I do’, I say ‘I’m an artist and a lecturer’; when I introduce myself, I say ‘I’m a vocalist, a composer and a teacher’ and then it gets confusing, because I have to explain what I mean and I usually just run away”, she laughs.
‘Comes Love’ is a snapshot of what you’ll hear at one of my gigs, favourite songs sung with two of my favourite musicians; there was no theme in mind other than sharing some lovely songs in a natural way, and I believe that’s how it sounds.