” I think my stage persona is just a more magnified version of myself. It’s important for me that the audience feel connected and involved. I don’t just want to sing ‘at’ them. I like having a bit of a chat…and yes, sometimes the chatter does get a little cheeky, but I don’t think the audience mind! If the audience are at ease, relaxed and happy…then so am I! It’s also about the songs. Each song has a story…I love being the storyteller.”
“My role, my job, is to make the best music I can possibly make. Be the best me, create the art I am supposed to put out into the world. I hope this will serve as a positive example for younger female musicians, because right now they don’t have very many examples to follow. I also hope this serves as an example to my male counterparts and younger male musicians of what a successful female musician can look like.”
Few band names can be as accurate in describing their sound and overall attitude as ‘Cookin’ on 3 Burners’. Melbourne’s sizzling organ trio has been handing out grooves for two decades now, with no intention of slowing down. Just before hitting the stage of Howler, where they’ll perform alongside Craig Charles (a legend in his …
“When the Simon & Garfunkel project came into being I had long been in awe of Olivia Chindamo’s mastery of vocal improvisation, and she was my immediate choice for the second half of the duo.”
“The big band orchestration is genius. The instrumentation of five saxes/woodwind, four trombones, 4-5 trumpets and a four – piece rhythm section results in literally countless and millions of different compositional formulas that will never be exhausted, even if every composer in the world was to write for the next thousand years.”
“We’re seeing more women artists in jazz, but perhaps not at the rate we’re expecting. I think one of the biggest challenges is to encourage young players to pursue music at a tertiary level and beyond.”
. We have persisted with our business model and received a warming and supporting response from our guests and musicians. The Paris Cat Jazz club is well established in the Melbourne Jazz scene. In the early years we featured around 150-200 gigs per year. In 2016 we featured just over 500 all because my wife Liz is obsessed with programming bands.
James Carter plays the sax as if his survival depends on taming this shiny, golden reed instrument that possesses this mystical, divine energy that he tries to put to good use for the 55 minutes of each set.
“Performance aspects aside, this album will definitely seek to explore some different compositional structures. ade and I have toyed with – and talked about – the idea of through-composed work and song forms that aren’t of the typical “head-solo-head” structure. Those elements are now coming out in our co-writing, certainly.”
“Studying jazz fostered a strong sense of mindful listening and interaction within a group, nurtured my creativity through improvisation and composition and allowed me to explore various parameters within music which have crossed over into my own writing and singing.”