“As artists we need to use our gifts to make people think, to make people feel, to make people aware, to make people accountable, to invoke change. I wish to leave my imprint on this world and I wish it to have made a difference.”
” I think my stage persona is just a more magnified version of myself. It’s important for me that the audience feel connected and involved. I don’t just want to sing ‘at’ them. I like having a bit of a chat…and yes, sometimes the chatter does get a little cheeky, but I don’t think the audience mind! If the audience are at ease, relaxed and happy…then so am I! It’s also about the songs. Each song has a story…I love being the storyteller.”
“Studying jazz fostered a strong sense of mindful listening and interaction within a group, nurtured my creativity through improvisation and composition and allowed me to explore various parameters within music which have crossed over into my own writing and singing.”
Tim Rollinson’s ‘Nitty Gritty’ calls to mind John Scofield’s enormously successful Scofield Au Go Go of a few years back and in many ways comes from the same place: a love of groove and the improvisational ideas which flower from the deep earth of funk
“I recorded ‘Frame of Reference’ in London over two days with the band coming together for the first time at the session. I’d never really worked in that way before, so it certainly brought some new pressures to the whole thing, but also gave the recording a great intensity and focus.”
‘Comes Love’ is a snapshot of what you’ll hear at one of my gigs, favourite songs sung with two of my favourite musicians; there was no theme in mind other than sharing some lovely songs in a natural way, and I believe that’s how it sounds.
“The challenge with recording is getting the best representation of our live sound.”
“While studying jazz at the Victorian College of the Arts in Melbourne, this made me feel quite inadequate, but there was a point when I stopped comparing myself to all the great bebop singers and embraced my own way of making and enjoying music”.
It sounds odd, and yet one of the most attractive attributes of Golden’s music is its un-jazzness. And the new work takes this further into new timbres.
” I always have to have an emotional connection to the song, otherwise I don’t feel I’ll be able to do a good job. I’ve never been good at pretending, so it has to be honest and real”.