“How I’ve evolved as an artist is parallel to how my life has evolved: new experiences, new friends, moving countries; I think that all changes the way I play in some way”
“I want singers to dig deep into their potential, to strive to be the greatest musicians they can be, to sing with integrity, unapologetically into the world”
Those who saw the Shaolin Afronauts last year shouldn’t expect the sequel to be just a repeat of the original. “We didn’t want to repeat anything that we had used; we wanted this to be a completely new experience for the listener”, says Ross McHenry. “This time, we’ve actually written a lot more new material; we’re working towards a new album so it was a bit of an opportunity to ‘try some new material”.
“Everything I write has an element of jazz in it. It’s a flavour, it’s spice, it’s warmth, it’s colour that no other music can give. Jazz is probably what I’ll still be able to do if I ever lose some of my other faculties.”
To be Canadian is to be a mix of cultures from around the globe, and thats exactly what our jazz music is. For me, at least.
“My role, my job, is to make the best music I can possibly make. Be the best me, create the art I am supposed to put out into the world. I hope this will serve as a positive example for younger female musicians, because right now they don’t have very many examples to follow. I also hope this serves as an example to my male counterparts and younger male musicians of what a successful female musician can look like.”
Few band names can be as accurate in describing their sound and overall attitude as ‘Cookin’ on 3 Burners’. Melbourne’s sizzling organ trio has been handing out grooves for two decades now, with no intention of slowing down. Just before hitting the stage of Howler, where they’ll perform alongside Craig Charles (a legend in his …
“When the Simon & Garfunkel project came into being I had long been in awe of Olivia Chindamo’s mastery of vocal improvisation, and she was my immediate choice for the second half of the duo.”
James Carter plays the sax as if his survival depends on taming this shiny, golden reed instrument that possesses this mystical, divine energy that he tries to put to good use for the 55 minutes of each set.
“Studying jazz fostered a strong sense of mindful listening and interaction within a group, nurtured my creativity through improvisation and composition and allowed me to explore various parameters within music which have crossed over into my own writing and singing.”