Dan Tepfer: “Well, when we really commit to improvisation (the word literally means ‘unforeseen’), we commit to listening hard, with a certain kind of humility. We leave ourselves open to the spirit of discovery, to epiphanies that are specific to that moment in time.”
People say of Bill Frisell that he reinvented the way people think about the electric guitar. That’s possibly an understatement.
“SUM is me, who I am as an artist and human being; it has my flaws and strength,” says drummer and composer Steve Belvilus, talking about the signature soul-jazz-RnB sound he has created.
Gaby Moreno is back in Australia, and anyone already exposed to her captivating voice and stage presence are already excited about it. Equally mesmerising whether […]
“Accordion, cello and guitar are instruments that all play a melody, so we often switch up who backs who. It’s very transformable. We don’t feel like there are any limitations. Except that as people, we love to play music outside but actually can’t stand the rain or the sun (laughs). That’s about the limits of our art, the weather.”
“Our string section is much more than just a lush carpet of sound. They interact and improvise with the rhythm section and combine melodic structures with our vocalist and saxophonist.”
“My singing has helped me to create more lyrical stories when I’m playing the piano. Instrumentalists cancertainly get comfortable running changes, and singing has really taught me to slow down and be more aware of melody.”
We play big, honking sets and we wanted to recreate that as much as possible in the studio.
“I’ve been an activist in my music for a long time and I’ve been writing about police brutality for a long time, but oddly enough, I have never went near Strange Fruit,” says Vivian Sessoms.
I just keep doing things I love and playing with musicians I love and my voice shapes itself; if you are an artist, it is part of who you are, I think you are always aware of it.