“I love sitting in the middle of Darryn and Kim when they talk about musical experiences theyve shared from times before I was born, soaking everything up like a sponge, to the point that it feels like I was there too!”
People say of Bill Frisell that he reinvented the way people think about the electric guitar. That’s possibly an understatement.
Melbourne jazz fans rejoice – on 28 April, in line with the Jazz Day celebrations, the city will become home to the all-new, all-sparkling Jazz Roots Festival.
We have received a letter from Miriam Zolin, Chair of the Board of Directors of the Wangaratta Festival of Jazz & Blues (and this website’s […]
“Jazz is the way I have to express what I feel, and the way I get to know more about myself.”
“I set out with the goal to make a standard jazz trumpet quartet album, but my intention from the beginning was to fail, and in that we succeeded far better than I hoped. The result is something pretty special and I feel proud to call it my own music!”
“Lately I’ve taken a liking to the term ‘Prog Jazz’. I like it because I like Prog Rock, and what I like about Prog Rock is that theres a story to it; it creatively moves between various interesting sections of music, and listening to it is like an adventure. My music is like that. “
“The show serves for a moment of escapism, where we get to dress up and play a person that would otherwise no longer exist. The interesting twist though, which makes me realise how far we’ve come since the 1940s, is that an all-female band would never have been dreamed of in that era.”
“I didn’t want to do a tribute show, it’s not really my style”, Kimba Griffith says. “I wanted to mix really recognisable tunes with the power of jazz improvisation, which includes the idea of reinvention. When you’re a teenager, that’s what you do, you reinvent yourself.”
Kim Myhr: “For me, when I approach the piece and the composition it is important that the audience doesn’t have a feeling that the musicians are just reading through a big score, but they are actually really present and making music. The score is just a score but the music happens in the room and in the space.”