“For this project I felt like it wouldn’t be fulfilling for the audience or musicians if we just attempted to play Bjork’s music the way she has produced it, especially for a jazz festival! There has to be something fresh, intriguing, experimental or risky involved for it to make sense to me. I guess this is what we will strive towards presenting some amazing music that we all know and love with a new perspective and sound and room for everyone involved to get their individual voices across.”
“While we are both very different players, I think we both are similar in the fact the we like to approach improvisation with honesty and aim to be ourselves at all times. We are also both drawn to the same kind of repertoire and inspired by similar artists.”
Chris McNulty is delighted to present the first series of An Evening of Vocal Jazz Artistry in Melbourne, Australia. Twelve stunning vocal musicians paired together to present a set each over six incredible nights/weeks
“The broader aim of the Jazz and Social Justice project is to demonstrate the power of jazz as a force for justice, freedom and creativity. Jazz artists have used their music and profile to spotlight injustices since the Civil Rights era. The program I have put together shares the stories and music of jazz artists from 1930s to the modern day who have taken a stand for social justice issues including racial, religious and marriage equality and environmentalism.”
AustralianJazz.net and the Paris Cat Jazz Club join forces to celebrate International Jazz Day 2018. Melbourne’s longest-standing jazz club and Australia’s premier jazz website team up to co-curate a jam session, inviting members of Melbourne’s jazz community to join in and play together. Firebrand pianist Adam Rudegeair will lead a house band of luminaries, featuring bassist Claire Cross and drummer Adam Donaldson, with a series of guests sitting in – everyone is welcome!
On Friday 20 and Saturday 21 April, Panorama do Brasil will feature Alda Rezende, Brazil ‘s unofficial ambassador to Australasia, presenting a tribute to Os Afro Sambas, one of the seminal albums of Brazilian music, showcasing the genius of Baden Powel and Vinicius De Moraes.
“My favourite music (especially swing) exists where the band is on the edge of falling apart or going for things that then they have to navigate a way out of. When you play with people you trust musically, this isn’t scary, it’s exciting and brings out the best in you as a musician and improviser.”
“For me singing is catharsis. I really believe a vocalist’s one and only job is to be a great storyteller, that’s more important than hitting the right notes, more important than being able to read or write music. So when I’m on stage, I’m just 100% immersed in the song”.
“Giving a label to music is difficult for me. I would rather give insight into the music by explaining ‘Provenience’ as a series of improvised responses based upon thematic material written within a standard song form framework.”
There are not many singers around whose name is always mentioned alongside Aretha Franklin’s and this is pretty much all anyone needs to know about Ann Vriend’s timbre, but you may know all that, already.