Gigs and concerts

Mike Nock – Serious Fun Making History

Mike Nock explains that “We’re learning the original arrangements as a starting point to play the music from our current perspective. This is turning out to be a bigger challenge than I originally thought, but I’m finding it an incredibly interesting process and a huge journey of self-discovery, as the music contains most of the concepts I’ve spent my lifetime exploring ever since. It may be true one can never go home again – but maybe that’s because we really never leave it!”

SMADJ BRINGS MIDDLE EASTERN JAZZ FROM PARIS TO MELBOURNE

Tunisian born French oud player and producer SMADJ brings you an extraordinary fusion of middle eastern music via Paris. [From the Press Release] Jean-Pierre Smadja, aka SMADJ, has  a passion for two things; music and technology. Raised by Tunisian parents in the suburbs of Paris, SMADJ professed an early obsession with jazz and Arabic music …

Will Vinson: “Australia produces excellent jazz musicians”

“It will be great to reunite with one of my earliest musical collaborators, Steve Newcomb. On that night, the performance will be like two old pals catching up after a few years, each one filling the other in on what they’ve been up to (in this case, musically) in the intervening time.”

Angela Davis: “New York forces you to be completely honest with yourself”

Angela Davis: “It has always been a dream of mine to record with strings – some of my favourite albums are ventures in jazz with strings; Art Pepper’s Winter Moon, Lee Konitz Strings for Holiday and Paul Desmond’s Desmond Blue. To me there’s something profoundly beautiful about the timbre of the alto saxophone blending with a string section.”

Claire Cross on the ‘Surface’ project: “Let’s call it a drama”

“We definitely have a sound that draws from heavy rock music and certain aspects from ambient music too. A lot of the pieces on the album have their own characteristic and mood about them; some are definitely more folk sounding, whilst others can be very raw and aggressive, and then others have a sort of ‘chamber ensemble’ sound about them. It’s not a straight-ahead jazz group by any means.”