At a very special gig this year at Stonnington Jazz (Thursday 22 May, Malvern Town Hall 8:00 pm), James Morrison will be playing with his sons Harry and William, in an ensemble that also features drummer David Jones and the vocals of Hetty Kate. We were able to catch up by email with James, Harry …
Allira Wilson’s debut CD Rise and Fall took out the Australian Best Australian Jazz Vocal Album at the Bell Awards this year. In conversation at the awards we spoke to one of the judges, who told us that he hadn’t heard of Allira before listening to her nominated CD. ‘As soon as I heard her, …
Chris McNulty talks about gigs at Perth International Jazz Festival, Stonnington Jazz, her forthcoming recording and book – and how she keeps her voice intact with all that travel…
Swailing is as free as This is Always is restricted; it is as open as the quartet recording is closed. Swailing is the magpie, picking from electric Miles, Massenet and Fats; This is Always is the osprey, its eye fixed on the one prize.
And both are deliriously beautiful for all of these qualities and more.
In the lead-up to Baecastuff’s performance of Mutiny Music on January 29 2104 at Sydney’s 505, John Hardaker asked Rick a few questions about this remarkable suite of music.
‘Several ideas guided my creative process in this project: to interpret Yusef Komunyakaa’s poetry, to pay tribute to Charlie Parker, and to do this in my own way in the context of the vibrant Sydney jazz scene of the 1990s.’ Evans says. ‘I’m very proud of this work and thrilled that, in some small way, it is a vehicle for the voices of some very fine Australian musicians, and their embodiment of Parker’s influence, to be heard internationally.’
“…Sydney’s a small town and I was just wanting to make something nice.”
The carefully-crafted originals on the album are a summary of the writing Clarke has done over the past twenty years, ‘Three Wishes’ dating back to 1993. ‘Busline’ was written for an unreleased ABC recording after he won the 2001 National Jazz Award at the Wangaratta Jazz Festival, while the medium-up ‘Billycart’ was written specially for the album.
U.nlock is interesting instrumentally because of the absence of chordal instruments. ‘We also realised at some point that neither of the melodic instruments are of a fixed pitch…’
Josh is attracted to music that comes from the heart and says that all the tunes he’s chosen have the kind of investment that he believes matters in music. ‘The harmonic structure also has to catch my attention when I’m listening to songs with lyrics in mind. The thing I found is that all these songs sing really well. They are all very melodic.’