Interviews

Ben Winkelman: ‘I’m searching for my own take on the piano trio’

“I think a lot about balancing opposing elements in my pieces: planning/spontaneity, complexity/simplicity, density/openness, intellect/emotion. Music has a lot of scope for self-expression (emotions) and experimentation with ideas (intellect). This might be especially true of creative jazz. I think the dilemma over how much weight to give these potentially competing tendencies is an interesting aspect of writing and playing music. For me the ideal is both: music involving sophisticated ideas and a high level of craft that moves me.”

Richard Pavlidis: ‘I aspire to reach a listener, even one single person, in the way that some of my favourite players have affected me’

“The music on this [‘Without Within’] should be very accessible to uninitiated jazz audiences, as well as hopefully having something there of deeper musical interest. I tried to use mood and emotion as a guide for the compositions, just like a pop song writer might,” says saxophonist Richard Pavlidis.