-.Which song reminds you of the best concert you ‘ve ever attended?
– Any version of They Say its Wonderful. I first heard that song performed by Sonny Rollins at the Opera House in 2008. It has since become my favourite song.
-.Which song reminds you of the best concert you ‘ve ever attended?
– Any version of They Say its Wonderful. I first heard that song performed by Sonny Rollins at the Opera House in 2008. It has since become my favourite song.
“Performing a live stream at Nelson Mandela’s funeral was a poignant and emotional day for the Royal Swazi Spa. My first eligible election was South Africa’s 1994, first democratic election in years and I stood in a queue with the rainbow nation and cast my vote for Madiba. I am so honoured for this band to been part of his salute.”
“My most recent journey is that into motherhood, after my son Alfred joined us in January, so I’m going to say the incredible Burt Bacharach ballad, ‘Alfie’. The lyrics are really beautiful, when you consider singing them to a new baby.”
“The Uptown success story really is the success story of the Melbourne jazz and improvised music scene itself. The original motivation to open a jazz club, after moving back here from New York City, was because of the incredibly high level of playing that I knew Melbourne (and Australia) always had. Also, to try to catch that particular sound that is unique to us here, which I don’t think the New Yorkers quite get.”
“When I’m performing, I feel like I’m smiling from the inside. I feel a sense of bringing people together and there is nothing more wonderful in human nature than feeling connected and feeling you a contributing to that connection.”
Sandy Evans was inspired by these images of reality and reflection, so she started composing what turned out to be musical responses to them. “I like to think of harmony in relation to colours”, she says, describing her approach. “Other times it was the structure of the photos that I reacted to. There are certain mirror images, so what I did was take some melodic ideas and reverse them”.
I love guitar, it has the ability to convey an incredibly rich range of textures and sounds, and has a history of amazing players. However, when I choose collaborators, it is often based on the individual: Lionel Loueke and Kurt Rosenwinkel are both unique voices on their instruments, and aesthetically, I felt they were a great match for the respective projects I was working with.
My creative process ideally begins with an idea that is exciting to me, and often that seed of inspiration is enough to drive the project through to completion, and overcome all the challenges along the way. Georgie and Josh have been my inspiration for the last month or two while writing this music.
The Cookers is a learning experience for me. I will always learn and get my ass kicked by these guys. It might not always be a pleasant experience to get one’s ass kicked but it is an important part of one’s growth as a musician and I’m very lucky to be in this unique situation performing with and learning from some of the best and ones directly tied to when this music was at its apex.
I have always loved horns and a big band sound so I wanted to inject that into the project. I also had to have piano because of the colour it provides. I was looking for a slightly theatric bent as well.