Interviews

Hue Blanes: “I’ve always wondered what it would be like to be a world leader”

“The Singh & Blanes duet is more about romanticism and flashbacks to a more romantic time, while my own solo work is about my intricate thoughts and emotions; it’s all about me being by myself, in solitude. It’s a bit more personal and reflects my individual take on the world. Then my jazz project is about my compositional ability and my fluency on the piano”.

Sean Foran: “If you’re curious as to how modern jazz could be interpreted into dance, come take a look!”

“We’re always watching the dancers and responding to them – sometimes closely following the actions with musical cues, at other times creating a dynamic and textural sense of the emotion in the dance through the music. On the other hand, the dancers are listening to us and responding, taking their timing cues from us sometimes.”

Ross McHenry: how the Shaolin Afronauts made a new soundtrack for Mad Max

Those who saw the Shaolin Afronauts last year shouldn’t expect the sequel to be just a repeat of the original. “We didn’t want to repeat anything that we had used; we wanted this to be a completely new experience for the listener”, says Ross McHenry. “This time, we’ve actually written a lot more new material; we’re working towards a new album so it was a bit of an opportunity to ‘try some new material”.

Harry Mitchell: “Perth is a really unique environment for young people playing jazz”

“I wanted to surround myself with musicians that made me want to play. I would have been happy just to sit back listen to them play together in that setting. Apart from how easy I find it to make music with them, they all have strong personal voices and I wanted them to put their own mark on my tunes, which they did”.