“This is all me finding my own voice and sharing my music and my stories in the world. My leading single is a tribute to the old-school jazz and soul sounds I grew up and fell in love with, but with a little contemporary twist”
“As a cabaret singer interpreting, re-interpreting, presenting, re-presenting, and representing, torch songs, I work both to honour the legacy of the great women who have kept the flame before me, as well as to subvert the dominant and affirm the marginalised through song and storytelling.”
“If you want to actually follow the tradition of jazz, you have to respond to your story and the place that you live in. Jazz has always been questioning and curious and absorbing other influences. And this is one of the most exciting things about being an Australian musician, being surrounded by lots of different cultures”.
How would you describe the dynamics of Torrio!?
Niko Schauble: Every input is welcome. Every output is celebrated. There is no leader. The direction becomes clear through the performance.
-.Which song reminds you of the best concert you ‘ve ever attended?
– Any version of They Say its Wonderful. I first heard that song performed by Sonny Rollins at the Opera House in 2008. It has since become my favourite song.
“Performing a live stream at Nelson Mandela’s funeral was a poignant and emotional day for the Royal Swazi Spa. My first eligible election was South Africa’s 1994, first democratic election in years and I stood in a queue with the rainbow nation and cast my vote for Madiba. I am so honoured for this band to been part of his salute.”
“My most recent journey is that into motherhood, after my son Alfred joined us in January, so I’m going to say the incredible Burt Bacharach ballad, ‘Alfie’. The lyrics are really beautiful, when you consider singing them to a new baby.”
“The Uptown success story really is the success story of the Melbourne jazz and improvised music scene itself. The original motivation to open a jazz club, after moving back here from New York City, was because of the incredibly high level of playing that I knew Melbourne (and Australia) always had. Also, to try to catch that particular sound that is unique to us here, which I don’t think the New Yorkers quite get.”
“When I’m performing, I feel like I’m smiling from the inside. I feel a sense of bringing people together and there is nothing more wonderful in human nature than feeling connected and feeling you a contributing to that connection.”
Sandy Evans was inspired by these images of reality and reflection, so she started composing what turned out to be musical responses to them. “I like to think of harmony in relation to colours”, she says, describing her approach. “Other times it was the structure of the photos that I reacted to. There are certain mirror images, so what I did was take some melodic ideas and reverse them”.