In these short interviews I ask musicians and composers, from various backgrounds, the same 3 simple questions about music. 1. Why do you have music in your life? 2. How do you make music? 3. What excites you musically right now?
Category: Interviews
In these short interviews I ask musicians and composers, from various backgrounds, the same 3 simple questions about music. 1. Why do you have music in your life? 2. How do you make music? 3. What excites you musically right now?
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“The music we’re playing is heavily funky, fast and at times frenetic. If I had to bring someone in I would probably choose either Freddie Hubbard or Hiromi Uehara.”
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In these short interviews I ask musicians and composers, from various backgrounds, the same 3 simple questions about music. 1. Why do you have music in your life? 2. How do you make music? 3. What excites you musically right now?
Share this:
” I was having a lesson with the great Caroline Henbest, preparing Rebecca Clarke’s ‘Sonata for Viola and Piano’. It was the first time I had ever played a solo viola work by a woman composer, and I felt so connected with her composition. Everything about this work spoke to me. I just had this crazy epiphany, that I didn’t want to play the music anymore, I wanted to speak about it!”
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“Portuguese music is there not because I put it there intentionally, but because I’m from Portugal; then I have a little of American folk, because my dad used to listen to a lot of Bob Dylan and Joni Mitchell; then I went on my own and I started listening to my own music and I started finding other things, getting more into the jazz world, and I mean instrumental jazz. Now I’m a bit far away from jazz, but still all the things that I listen to during my life are there.”
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“With everything that’s going on in the world right now, I want my show to provide a little comfort, to help people feel good. I want to share that southern comfort with the audience.”
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“My goal with the Jazz Melbourne Orchestra is to create a world class big band in Melbourne that performs regularly at larger concert hall style venues.”
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“I know why the tunes that are really good tunes, that have stuck around, are the good ones, because you can just be on them, night after night, and they are able to withstand that kind of act.”
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“We’ve had people come up to us at gigs and tell us they hate Jazz, but they love our music. It’s nice to change people’s perspectives.”
