All songs in the album are performed with the same electrifying intensity, from the most high-energy compositions to the contemplative interpretations of standards.
JMI has received endorsements from significant jazz figures, including trumpeter Wynton Marsalis who has performed with the likes of Dizzy Gillespie, Herbie Hancock, Sonny Rollins and Sarah Vaughn, and founded one of New York’s finest jazz education facilities Jazz at Lincoln Centre. Marsalis commends JMI for developing “one of the first jazz curriculums that addresses the entire fundamental range of jazz styles… a template that should be followed by schools who are serious about the study and performance of jazz music”.
“Keller’s harmonic sense throughout seems to have its own logic, following its path to places, once arrived at, are just where we want to be. Like all valid jazz writing, her compositional language seems to suit the soloists just fine, too”.
It was a high-energy performance, one that had your feet tickling and wanting to burst into swing-dancing or, at times, making your soul let go and follow the smooth flow of notes. Just what one needs on a rainy night in Melbourne!
It sounds odd, and yet one of the most attractive attributes of Golden’s music is its un-jazzness. And the new work takes this further into new timbres.
“As far as music goes, I reckon I sound like me, and no one else, that’s really what I feel good about. I have a long way to go still, plenty more to explore and learn, but having your own sound and being recognised by it is surely what I feel is most important, other than not sounding like shit. “
The shortlist for this year’s Australian Jazz “BELL” Awards has been officially announced. This year’s crop has been extraordinary, with many great albums submitted in the competition. The amount of talent in this list is overwhelming, and it is bound to make the work of the judges very hard
“I came to better understand Coltrane; he often sounds like a preacher. I aspire to have this effect on people, than just show off my chops”.
AJN: Some think that a tribute to Vince Jones is long overdue and that the jazz community should gather and honour your contribution. What are your thoughts on that?
VJ: Give me a few more years to write some more songs before any tributes.
” I always have to have an emotional connection to the song, otherwise I don’t feel I’ll be able to do a good job. I’ve never been good at pretending, so it has to be honest and real”.