The Cookers is a learning experience for me. I will always learn and get my ass kicked by these guys. It might not always be a pleasant experience to get one’s ass kicked but it is an important part of one’s growth as a musician and I’m very lucky to be in this unique situation performing with and learning from some of the best and ones directly tied to when this music was at its apex.
I have always loved horns and a big band sound so I wanted to inject that into the project. I also had to have piano because of the colour it provides. I was looking for a slightly theatric bent as well.
I told my Dad about it and he was so happy to hear that [Bill Frisell and I] would be working together. I said something like, “Hey Dad, I’m a jazz cat!”
I get tired of seeing films about loud, arrogant figures who feel the need to be up front, in front, or affronting; even the way Bill arranges the band on stage says so much about his attitude, how its about the music, how he tries to affect the music from the inside out.
Growing as a performer, she distilled her experiences into songs, culminating to the release of her album Sunny One Day a seamless blend of soul, funk, jazz, rnb and rock sounds that is still her trademark.
Spence and Fujii have been commissioned by the Melbourne International Jazz Festival to present a new Australian/Japan collective – Kira Kira (shine). For this project, Tamura on trumpet and Tony Buck on drums will join them.
“I’m not a big fan of the word fusion, because it feel binary to me, and I’m trying to achieve a sound that is multifaceted and fluid. And I think this sound reflects our world today, one which is increasingly more complex and interdependent”.
“How I’ve evolved as an artist is parallel to how my life has evolved: new experiences, new friends, moving countries; I think that all changes the way I play in some way”
“We’re always watching the dancers and responding to them – sometimes closely following the actions with musical cues, at other times creating a dynamic and textural sense of the emotion in the dance through the music. On the other hand, the dancers are listening to us and responding, taking their timing cues from us sometimes.”
Self Aware of Myself weaves together song, interview fragments and spoken text to form fragmentary portraits. At the core of the project is set of interview questions by Georgie Darvidis that are whimsical, candid, and quietly revealing.