I get tired of seeing films about loud, arrogant figures who feel the need to be up front, in front, or affronting; even the way Bill arranges the band on stage says so much about his attitude, how its about the music, how he tries to affect the music from the inside out.
Growing as a performer, she distilled her experiences into songs, culminating to the release of her album Sunny One Day a seamless blend of soul, funk, jazz, rnb and rock sounds that is still her trademark.
Spence and Fujii have been commissioned by the Melbourne International Jazz Festival to present a new Australian/Japan collective – Kira Kira (shine). For this project, Tamura on trumpet and Tony Buck on drums will join them.
“I’m not a big fan of the word fusion, because it feel binary to me, and I’m trying to achieve a sound that is multifaceted and fluid. And I think this sound reflects our world today, one which is increasingly more complex and interdependent”.
“How I’ve evolved as an artist is parallel to how my life has evolved: new experiences, new friends, moving countries; I think that all changes the way I play in some way”
“We’re always watching the dancers and responding to them – sometimes closely following the actions with musical cues, at other times creating a dynamic and textural sense of the emotion in the dance through the music. On the other hand, the dancers are listening to us and responding, taking their timing cues from us sometimes.”
Self Aware of Myself weaves together song, interview fragments and spoken text to form fragmentary portraits. At the core of the project is set of interview questions by Georgie Darvidis that are whimsical, candid, and quietly revealing.
Those who saw the Shaolin Afronauts last year shouldn’t expect the sequel to be just a repeat of the original. “We didn’t want to repeat anything that we had used; we wanted this to be a completely new experience for the listener”, says Ross McHenry. “This time, we’ve actually written a lot more new material; we’re working towards a new album so it was a bit of an opportunity to ‘try some new material”.
Since 2011, The Street has put a spotlight on jazz when it began developing a national forum around jazz in Australia’s capital city through bringing leading jazz artists together in Canberra and creating endless possibilities for new audience experiences and expectations.
“There is undeniably an underrepresentation of women across all aspects of the music industry. You can’t be what you can’t see.”