“…each song built on the solid foundation of Morrison and Cooper’s talent.”
As the album’s title hints, Galumphing ‘Round The Nation is an outcome of Keller’s 2009 national Collaborations Project, where the touring Quartet in the various locations they played, invited a favourite musician to contribute each a 5th (often highly improvised) part to an existing base composition.
“This would have to be one of the most unique recordings that I have encountered in recent times – a listening experience that once heard cannot be forgotten.” Read this review by Gerry Koster of The Wide Alley, a new CD from ten-piece ensemble including five Chinese musicians and local names Erik Griswold, Vanessa Tomlinson, Robert Davidson, Peter Knight and Adrian Sherriff…
“A true departure from ‘traditional jazz’ and the result is not only fresh and instantly likable, but has the potential to become a modern classic.”
I made the mistake of looking out of my window at the bleak wintery night while ‘Good Grief’ was playing and was overwhelmed by the melancholy memories it invoked in me.
There is something very special about transatlantic collaboration – it brings with it all the trials of composing and working in isolation and all the joys that come when all parties meet to bring life to those compositions.
The Seed Habit– Keijzer McGuiness Quintet Review by Charles Lidgard (http://unchartedjazz.wordpress.com/) Rufus Records, RF079, 2009. The Keijzer McGuiness Quintet takes its name from a combination of Dutchman Remco Keijzer (tenor saxophone) and Australian Lucian McGuiness (trombone). In addition to Keijzer and McGuiness, the quintet consists of Matt McMahon (rhodes/piano), Mike Majkowski (bass) and James …
The Alister Spence Trio comprises Alister Spence (piano), Lloyd Swanton (bass) and Toby Hall (drums, glockenspiel). The trio released their first album Three is a Circle in 2000 and received ARIA nominations for subsequent albums Flux (2003) and Mercury (2007). fit is the band’s fourth album.
Brian Ormsby was one of the lucky extempore subscribers who won a double pass to hear The Australian Art Orchestra’s Crossing Roper Bar. Here’s what he had to say…
“…I had some reservations as to whether the project of interspersing jazz with traditional Australian music and dance would work. However any such doubts were very quickly dispelled…”
“…a beautifully written and presented snapshot of the contemporary jazz scene in Australia.”