” This year’s Festival program was put together smartly by Jazzgroove to get all the flavours of jazz rubbing up against each other and to pleasantly jolt by contrast.”
Phil Treloar takes it from there, his playing a way to clarify things, put them in order and into perspective.
It is a delight to hear Jeremy Rose back in the arms of (almost) straight-ahead Jazz – an added delight is to hear him rocking so sweet and heavy in those arms.
“Theirs is one of the rare examples of a tight-knit group of people that have achieved a remarkable level of intense communication, creating a compact sound of extreme density – which is highlighted even more, when they let themselves loose”.
In a programme that allowed her to showcase the potential of the New Palm Court Orchestra through an eclectic blend of styles, Gemma Turvey offered the audience a unique musical and emotional experience.
“Gary Daley has, across Sanctuary, gone for the primal and the spiritual – the earthy and the ephemeral – in almost equal balance.”
Yet, despite the expanded palette of harmonies and timbres afforded by the larger band, Willis keeps a firm hand on the tiller throughout – his characteristic minimalistic and repetitive touches are all here, as well as the timbral and melodic surprises which playfully dent and scratch the sheen of his music.
“The sinewy energy of this piano-less format winds the bristling tension up to cracking point on the more free-jazz passages. It is leavened with chill riffs from the classic tenor-trumpet hard-bop front line, and deep soul grooves underneath it all”.
The binding quality of Ellen Kirkwood’s music and her collaborations is that is consistently has one foot firmly in jazz and the other trailing in the waters of a tangy broth of blues, rock, gypsy swing, klezmer, reggae and you-name-it.
Multi-instrumentalist Paul Cutlan has always had a spiritual halo around his music.