Steve Sedergreen reimagines Duke Ellington’s Far East Suite as a connecting force for diverse musicians

“I’m interested in all sorts of music and looking for brothers and sisters outside the jazz area to work with, using the suite as a connecting force,” says Steve Sedergreen. “We are not going to reproduce the Far East Suite but we’re certainly going to play in the spirit of the Far East Suite.”

Album review: Eamon Dilworth – Viata

Each of the nine pieces are more settings than compositions, or even improvisation – settings for Dilworth to express this idea of viata/life, and his reaction to it. Many of the tunes on ‘Viata’ have a European dissonance, a Bartokian slipping in and out of key and tone – not exactly dissonance, more the stretching of the envelope, a very human thing, tying it to the universality of the blues.

Claire Cross: “I love Bjork’s ability to get mileage out of her musical elements”

“For this project I felt like it wouldn’t be fulfilling for the audience or musicians if we just attempted to play Bjork’s music the way she has produced it, especially for a jazz festival! There has to be something fresh, intriguing, experimental or risky involved for it to make sense to me. I guess this is what we will strive towards presenting some amazing music that we all know and love with a new perspective and sound and room for everyone involved to get their individual voices across.”

Last call for the Australian Art Orchestra 2018 Creative Music Intensive

The Creative Music Intensive residency, established in 2014, is a groundbreaking cross-cultural residency created by the Australian Art Orchestra, aiming to provide a unique professional development program for musicians from across Australia and Asia, fostering collaboration and dialogue in a meeting of cultures and practice