Shannon Barnett writes brilliantly for jazz – there is challenge, rhythmically and melodically, but there is also space enough to move around in.
‘Round Midnight’ because of three reasons: I love that song, its not classical music, and it is very complex – harmonically and melodically – so it was a challenge for all of them. The structure of that cycle was turned in four parts: morning, afternoon, evening, round midnight. The idea is that the theme could be discoloring, like the Rouen Cathedral by Monet, from the strong light of morning to the dreamlike atmosphere of midnight. Joel Hoffman, dean of CCM at University of Cincinnati, and respected composer, loved the idea and supported it.
“Our main wish behind the collaborative video series is to celebrate Australia’s current thriving writers and performers. We’ve chosen performers whose music truly moves us, shapes our own sound and brings something complementary yet alternative to the Market Lane sound platter.”
This strange sense of yearning and of trying to capture the essence of a memory and understanding that memory is fallible and you can never really re-experience something as it was, I was interested in that and interested in the way that music can communicate that gradual decay of memory. So the piece is kind of about patterns and the decay of patterns, it’s about memory and the beauty of decay.
What is it that you most admire about each other?
James Sherlock: Kristin’s ability to inhabit songs and really communicate not only with listeners but also with the musicians she plays with; everyone loves playing with her!
Kristin Berardi: I love that James loves this music so much, and he listens so much. Sometimes it really freaks me out, but it’s like he knows what I’m going to do before I do! It’s easy to make music with someone who’s a good friend. There’s a trust there but also we have fun. That’s important.
AvengHer is another perfect example of electrically charged jazz fused together with hip-hop beats and west african influences and nods to post-rock and a lot more. It also makes testament of the trademark characteristic of his music, this understated intensity, like ripples on the surface of calm water, promising to deliver a storm.
Bringing together locals and visitors for its third year, theMarysville Jazz and Blues Weekendwill come alive on Friday 20 October – Sunday 22 October.The award-winning festival is set to celebrate music, food, wine, and community.
Featuring Earle’s original score played by his sizzling 7-piece band and an ensemble of eight of Australia’s most exciting dancers, ‘Self ‘follows the journey of a young artist as he grapples with the pressures and expectations of progressing through a volatile career in the arts.
“The greatest challenge is doing something different with standards that still feels natural. I think we achieved it on this album. We were very open and just tried to play like ourselves with no judgment.”
“This is all me finding my own voice and sharing my music and my stories in the world. My leading single is a tribute to the old-school jazz and soul sounds I grew up and fell in love with, but with a little contemporary twist”