Jazz-themed Friday Nights at the NGV

In a series of performances in partnership with the Melbourne International Jazz Festival, the NGV comes alive after dark with the eclectic sounds of jazz during this season of NGV Friday Nights. The late-night art and music series runs alongside the NGVs Melbourne Winter Masterpieces exhibition MoMA at NGV: 130 Years of Modern and Contemporary Art from 15 June to 5 October 2018 at NGV International. T

Barney McAll: “Music is a guide for society”

“I am presenting this music with a great amount of respect, because the thing that I realized is that there are really magnificent composers who only write for the church and are thus not really known – particularly Doris Akers is a very strong composer in different styles and few people in Australia has heard of her,” says Barney McAll

Harry James Angus talks about his soul-jazz-gospel album project on Greek mythology

“To me, Theseus and Minotaur is a story about masculinity and a story about a cycle of fear and anger and rejection that fathers pass on to their sons that perpetuates bad things in society, like sexual abuse and violence. I see the Minotaur as a classic example of a child who wasn’t given the tools to be a good person in life regardless of the fact that he had the head of a bull.”

One question for Brenton Foster, composer of ‘Love As We Know It’

“I sent Christopher some sketches and he sent me some poems reacting to my music and we both worked from that. I don’t know how much experience he has in matching words to music, but I was really impressed when I got his words back. Everything kind of fit together so quickly and naturally, and they allowed me to make some strong musical statements.”

Bianca Gannon is making ‘ombak’

“Most of my training has been classical; I majored in Composition and Twentieth Century Music Analysis. I’ve also dabbled in jazz and applied myself to various forms of gamelan. I’ve come to believe that it’s ok not to relentlessly pursue one musical avenue, it can be a good thing to be a jack of all trades, especially when creating your own music and own opportunities, and that for me the right thing is to pursue a multi-faceted career. “

Elysian Fields – The Scandinavian Project

Jenny Eriksson: “Elysian Fields have several Scandinavian connections. Matt Keegan studied in Sweden, vocalist Susie Bishop sings fluently in Swedish and bass player Siebe Pogson is 1/8th Swedish. We’ve been doing covers of Scandinavian jazz artists almost from the start. Since Susie Bishop joined us we’ve added some Swedish folk songs. We’ve given Matt McMahon honorary Swedish citizenship, so he does not feel left out!”

Steve Sedergreen reimagines Duke Ellington’s Far East Suite as a connecting force for diverse musicians

“I’m interested in all sorts of music and looking for brothers and sisters outside the jazz area to work with, using the suite as a connecting force,” says Steve Sedergreen. “We are not going to reproduce the Far East Suite but we’re certainly going to play in the spirit of the Far East Suite.”

Album review: Eamon Dilworth – Viata

Each of the nine pieces are more settings than compositions, or even improvisation – settings for Dilworth to express this idea of viata/life, and his reaction to it. Many of the tunes on ‘Viata’ have a European dissonance, a Bartokian slipping in and out of key and tone – not exactly dissonance, more the stretching of the envelope, a very human thing, tying it to the universality of the blues.