“I don’t wait to be asked to join a band that plays a style that I am interested in – I just put one together myself. It’s extremely hard work keeping it all going but very rewarding at the same time.”
Elly Hoyt has harnessed the power and beauty of music, not simply for its own sake, but to give voice to those we have heard far too little from.
The 17th annual Australian Jazz Bell Awards acknowledged and applauded excellence of creativity, recording, performance and presentation of jazz in Australia.
“Music comes and goes,” Leo Genovese says. “[It] is not property, it doesn’t have an owner. It is air moving. It is magic, it is medicine. Even if you compose something, it is not yours, it is patrimony of every human. I know the law works different, but the cosmic law is another thing.”
I have had the good fortune to make it to Jazz in Marciac a number of times, including 2019. This is some of what I experienced in the Chapiteau.
The event program features three ensembles performing in solidarity with asylum seekers imprisoned under Australia’s watch; Jackie Bornstein’s Jazz and Social Justice, Oscar Neyland’s Wirecutters, and Julien Wilson’s Autonomous Resilience Collective.
“The gig is packed every week and people watching across the street. They say you can hear the band along the whole strip of the cross.”
“The music on this [‘Without Within’] should be very accessible to uninitiated jazz audiences, as well as hopefully having something there of deeper musical interest. I tried to use mood and emotion as a guide for the compositions, just like a pop song writer might,” says saxophonist Richard Pavlidis.
One year afterCharles Aznavour’s passing, the Armenian Film Festival Australia celebrates the voice and legacy of the chanson legend, featuring the documentary Aznavour: Autobiographie.
A crash course in the history of the saxophone, by jazz master Andy Sugg