” I believe that is one of the primary purposes of music: To offer a portal for release and escape, and hopefully healing, even if only for a few seconds. What better way than by celebrating music from around the world and through the ages, whose message is struggle for unification and equality?”
Nothing says ‘chill’ like Chris Botti’s trumpet. Chris Botti – The Steps of Positano from JazzArts on Vimeo. The world’s biggest selling jazz instrumentalist, Chris Botti, returns to play at some of the leading concert venues in Australia. For complete tour and ticketing including VIP details,visit live nation’s website.
– What makes a torch song?
– Truth. The lyric is poetic truth, and the music frames the words and creates the mood.
“My Dad’s music was a statement against dictatorship, injustice, intolerance, and against the destruction of democracy. The music remains relevant to our time and current administration. That’s why it continues to be important.”
“Charlie Haden is a significant figure in 20th Century music and has been a huge influence on me throughout my career. The theme of songs of protest that we are presenting at the festival also fits well with Haden’s music we will be performing – LMO music inspired by the Spanish Civil war and the Cuban revolution amongst others, as well as some Australian songs of protest by the likes of Midnight Oil and Archie Roach.”
As both a trumpeter and composer, Chris Botti has established a reputation as a versatile musician in both jazz and pop music for his ability to fuse both styles.
I heard something of Miles’ ‘Big Fun’the first time I played I Hold the Lion’s Paw’s ‘Abstract Playgrounds’.There, in the opening track ‘(outtakes from the)’ is that same soupy mix, the same muddy rhythms, as if primeval matter, inchoate, is ever-so-slowly coalescing into form. There is an urgency and drama inherent in that opener, as it carefully leads the listener in: what directions this music will take is a wide-open question.
“Music is a healing force for those of us battered by the harsh realities of inequality and oppression all over the world.”
“The brilliance of Billy Strayhorn’s ‘Lush Life’ has me speechless on so many levels. I can’t describe it – I just have to sing it.”
When Michael Griffin’s lips touch the mouthpiece, he’s transfomed: the awkward teenager gives his place to a jazz master of superb confidence – and his pinstripe suit becomes a perfect fit. It’s uncanny.