Archie Roach joins the Australian Art Orchestra for Passion at the Melbourne Recital Centre, March 2009. Soloists: Piano – Paul Grabowsky, Voice – Archie Roach
Review by Peter Kenneally: “It’s all driven along by and part of the rhythmic net around it: when this happens, and it does often, the album draws you in and entrances you.”
We may not be used to seeing Tortoni ‘front and centre’ at the MIJF but he’s played a role consistently for over a decade now. At the festival launch, he revealed what drives him, saying (twice) that he’s interested in the ‘pairing of jazz royalty with the voices of a rising generation’.
25th Annual Australian Jazz Convention 26-31 December 1970 – A little snapshot of country Australia in years gone past – with jazz.
“I guess I consider myself an ‘intuitive’ composer in that everything I’ve written so far seems to have been written in a slightly different way. I don’t have one method – one approach of sitting down and writing in a particular way.”
From the media release: Technically, it’s jazz. Free and bold, fired by impeccable musicianship. Yet A Glorious Uncertainty is a work too large in spirit to ever fit neatly under one banner.
“With me and Adam, there’s a bit of both in the relationship…each of us knows each other’s style and world of ideas very well, but the duo format is a new adventure – which will challenge us into new directions!”
Read this post and email us to let us know about your CD release.
Please email before you send us your CDs !
“If South America allows jazz to swim beside it, other continents emphasise its clash. Trekking in Laos, Miles’ Sketches of Spain playing on my DISCMAN (charged by AA batteries), was a cause of mirth to fellow trekkers outfitted with iPods and GPS navigation.”
“Compass succeeds on its combination of strengths, technical and compositional, yet as a saxophone quartet what sets it apart and makes it so listenable is that each player has quite a contrasting approach to tone and articulation.”