‘The whole work was beautifully measured, finally showering us with brilliant sound and sensation. This was a triumph to be stored in memory…’
He remains only interested in musicians who ‘slam their heart down on the table, and go, “There I am!”‘
A kind of serendipity has been at work to bring Dresser in touch with the Australian musicians he’ll be playing with at Wangaratta.
The Freedman Jazz Fellowships provide Sydney audiences with a mini-festival each year that features music by artists hoping to bring their exciting projects to life. We talked to the 2012 finalists about their projects and what the Freedman means to them and to the broader jazz scene in Australia.
‘…we might fall on our arses once or twice, but it’s often when you’re searching that the best things happen…’
A great deal of art is description, or at least representation. Describing or representing love, hate, the universe. None is the right description. Nor the wrong one. This is art after all.
In 2009, extempore journal spoke to five Australian jazz musicians, asking them all the same set of questions… Kristin Berardi, Vince Jones and Katie Noonan […]
From the media release: Technically, it’s jazz. Free and bold, fired by impeccable musicianship. Yet A Glorious Uncertainty is a work too large in spirit to ever fit neatly under one banner.
Marc Hannaford releases two digital recordings – a quintet release called ‘Ordinary Madness’ and a trio release ‘Sarcophile’. We ask him ‘why digital?’ and talk about the music…
” I remember drumming along to Mental As Anything’s ‘Live It Up’ played on repeat. All Day.”