“I think a lot about balancing opposing elements in my pieces: planning/spontaneity, complexity/simplicity, density/openness, intellect/emotion. Music has a lot of scope for self-expression (emotions) and experimentation with ideas (intellect). This might be especially true of creative jazz. I think the dilemma over how much weight to give these potentially competing tendencies is an interesting aspect of writing and playing music. For me the ideal is both: music involving sophisticated ideas and a high level of craft that moves me.”
From the media release Magnusson/Oehlers/Vanderwal “Paper Tiger” CD launch tour 2014 In 2013 these three fine musicians got together to perform and enjoyed the results so much they coaxed each other to go into the studio and record an album. Once in there, with the red light on they couldn’t stop, they tied the sound …
Rivett has broken cover not with yet another musical artefact from a schooled and accomplished improvising musician, but with a true work of the imagination.
It is a testament to Winkelman’s vision for these pieces that stride, montunos and various rhythmic tangents can be found sitting side-by-side in a way which only enhances, rather than confuses, the narrative they belong to. At the same time, the dynamic interplay and symbiosis between Winkelman, Anning and Vanderwal allows for their flawless execution.