“Our approach to music making is very open. Whatever the members bring to the group is welcome. We each lead diverse music lives outside of the band and when we come together the things we’ve been doing individually find voice in the overall sound. This is intuitive and encouraged and it means that the sound of the group is changing in ways that keep things interesting. We always sound like the Necks, but we also sound different from tour to tour – in ways that we can’t predict.”
Sydney’s Jazzgroove association fifth Summer Fiesta was spread over three venues in Ultimo: Foundry616, Lord Wolseley (I was judged too declassé to admit here) and APRA (I can’t understand it, but I failed the audition, or am I thinking of NIDA?) from Jan 16 to 18. In fact the cross section of bands that was …
Inevitably, the different currents converge and the trio voice flows freely. Unrelenting cymbal and bass bomb patterns, sawing arco and swirling piano create a heady maelstrom, with Abrahams alternating sharply between staccato patterns fashioned by two and then ten fingers.
Roger Mitchell reviews The Necks at The Corner Hotel on their current tour… Read the full story on ausjazz.net >
An outtake of The Necks, in their early days, performing for Kevin Lucas’s film Beyond El Rocco.