In a program of jazz, blues, a touch of hillbilly bluegrass and a dash of gospel, Dianne Cripps shared some of her experiences growing up in the South, regaling the audience with stories and explaining why particular songs were special to her.
It’s time to enjoy live intimate jazz from home and abroad at the 2020 Sydney International Women’s Jazz Festival.
“With everything that’s going on in the world right now, I want my show to provide a little comfort, to help people feel good. I want to share that southern comfort with the audience.”
“The greatest challenge is doing something different with standards that still feels natural. I think we achieved it on this album. We were very open and just tried to play like ourselves with no judgment.”
When Mercer Ellington decided to keep his father’s orchestra alive, after Duke Ellington’s demise, he chose the word ‘Continuum’ for the title of the outfit’s first post-Duke recording. This is the word that constantly comes to mind, when I think of Vincent Gardner and Belinda Munro, who are touring Australia these days.
“I’m not a big fan of the word fusion, because it feel binary to me, and I’m trying to achieve a sound that is multifaceted and fluid. And I think this sound reflects our world today, one which is increasingly more complex and interdependent”.
Tim Rollinson’s ‘Nitty Gritty’ calls to mind John Scofield’s enormously successful Scofield Au Go Go of a few years back and in many ways comes from the same place: a love of groove and the improvisational ideas which flower from the deep earth of funk
The Foundry 616 Harris & Mary Ann Streets, Ultimo, Sydney. 3 September 2014 Review by John Clare Walking from Glebe to the relatively new jazz […] Read More
Article by John Shand Banner image Harry Sutherland Trio with guest Jessica Carlton. Photo: Scott Burgess. To say he polarises people could be a lame […] Read More