Rhythm. Heat. Lines. Movement. Energy. Since 2010’s ‘The Singularity’, The Sam Bates Trio have naturally progressed into the force of nature that we hear here.
‘Dan Sheehan, whose conception and compositions (largely) are the reason for Infinite Ape, moves like the ocean behind all this – his playing, whether acoustic or Rhodes, is as big as the room, whether it be a sprinkling of notes or a killer riff or – yeah! – big, big chords.’
‘…cross-cultural mash-up worked beautifully across the entire suite – a testimony to Robertson’s smart writing, deep research and even deeper emotional connection to the music.’
Network of Lines is a work of ethereal and pure loveliness – albeit one with a red-blooded heart.
In the lead-up to Baecastuff’s performance of Mutiny Music on January 29 2104 at Sydney’s 505, John Hardaker asked Rick a few questions about this remarkable suite of music.
In his liner notes (notes worth the price of admission in themselves), NYC based pianist Barney McAll – no slouch in the ‘daring’ department himself – says, ‘(Keller) has been blending memories, sonic pictures, Bartók, Shorter and an immaculate classical technique to ensure her trajectory could never disappoint. Andrea is a serious inventor.’
It is a jazz format that is one of the most satisfying of all within the canon, and they do it so well. So well, in fact, that they deserve your ears. They already have mine.
‘…when I compose I just sit down and write what I’d like to hear.’
Jenna Cave and Paul Weber’s Divergence Jazz Orchestra is one of Australia’s keepers of the big band flame. More power to them.
And now we have their (astonishing) debut, The Opening Statement.
John Hardaker interviews Mace Francis and Johannes Luebbers of the Listen / Hear Collective.