“We’re always watching the dancers and responding to them – sometimes closely following the actions with musical cues, at other times creating a dynamic and textural sense of the emotion in the dance through the music. On the other hand, the dancers are listening to us and responding, taking their timing cues from us sometimes.”
“In no way did any of us want to honour or glorify the concept of war, so we were quite burdened with the seriousness of the task at hand: honouring historical happenings and putting a voice to these concepts and people’s experiences from this time”.
Collectively known as Berardi /Foran/Karlen (BFK), Hope In My Pocket is a musical exploration through the powerful experiences and emotions contained throughout the archived written correspondence of ANZAC history.
Ian Patterson reviews The Sweetness of Things Half Remembered. ‘Karlen’s music is both cerebral and emotive. It’s music that’s difficult to box and therein lies a great part of its undoubted appeal.’