For an album filled with gems of the Great American Songbook, it is telling that the songs that mostly stand out are Tamara Kuldin’s original compositions. ‘Maisie’s song’ in particular, has all it takes to become a modern classic – a sweet, catchy melody; simple, honest lyrics; a warm, compelling delivery by a vocalist at the top of her game.
This summer, MONA is hosting a marathon of sorts. Forty-two days of free live music on the lawns at the museum, from 20 December 2019 to 31 January 2020.
“I was literally skipping down a stretch of second avenue in New York for about 30 minutes with George Benson’s ‘Breezin’ on repeat in 2012.”
” I think my stage persona is just a more magnified version of myself. It’s important for me that the audience feel connected and involved. I don’t just want to sing ‘at’ them. I like having a bit of a chat…and yes, sometimes the chatter does get a little cheeky, but I don’t think the audience mind! If the audience are at ease, relaxed and happy…then so am I! It’s also about the songs. Each song has a story…I love being the storyteller.”
