“Well, the level of communication is very high. We know each other’s styles so well that the music always comes together in uncanny ways. This is a real asset when the music has a lot of improvisation, as ours does. It’s basically a musical conversation happening at a very high level. This is what the best jazz really is all about.”
Across ‘The Game’, Trish Delaney-Brown’s vocal scat (in duet and solo) is exquisite, always intriguing, never empty histrionics.