Gregory Porter’s performance at the the Melbourne International Jazz Festival once again demonstrated that he is such a consummate musician. From the moment he sang the first note, that deep mellifluous baritone voice of his drew the listener in.
Gregory Porter’s performance at the the Melbourne International Jazz Festival once again demonstrated that he is such a consummate musician. From the moment he sang the first note, that deep mellifluous baritone voice of his drew the listener in.
But make no mistake; Liv Andrea Haugue has a voice of her own, her influences — be it jazz, pop, contemporary, everything — seamlessly blended in her compositions, and perfectly displayed through her nuanced, perfectly balanced playing, and her interactions with her trio.
It’s a setting that suits her, and she makes great use of it, combining elements from the classic piano trio jazz albums of the ’50s legacy, to the modern Scandinavian/ Nordic jazz tradition — spacey, serene, classical-music-infused — and more than passing references to Keith Jarrett.