Alex Boneham: “Getting to return to Australia with The Vampires is extra special”

“The guys in the band did such a great job of writing music to really bring Lionel Loueke into the group so he’s a fifth member as opposed to just a guest. I would have loved to be present in the studio just to watch the magic happen!”

Q&A with Alex Boneham – 2008 NJA Finalist

When did you start playing bass and why? For example, was there a ‘moment’ when it came to you as a calling or vocation? I […] Read More

Album review: Tiro (The Vampires) by John Hardaker

on ‘Brother Sykes’ – The band play around each other here, as if conversing, exchanging their grief – the feeling is one of a wake, funereal and puffed-out. It is a nod to the complete musicianship of Alex Boneham that the bass dominates here, expressing so much in answer to the gray-blues and watery mauves thrown at him by Rose and Garbett. All seems to happen underwater, beneath a heavy lid of mortality.

Jeremy Rose: “Lionel Loueke’s contribution will spur the Vampires onto new musical territory”

“Adding a guitar to the Vampires distinct chord-less sound world is of course new, however we feel that Lionel’s contribution will help inspire and spur us onto new musical territory. Nick and I have also composed music with Lionel in mind, and so the music will accommodate and make way for his unique style of playing.”

REVIEW: Jeremy Rose Quartet – Sand Lines

It is a delight to hear Jeremy Rose back in the arms of (almost) straight-ahead Jazz – an added delight is to hear him rocking so sweet and heavy in those arms.

Gig review: The Vampires at SIMA

The horn unison passages have the extraordinary unity – bright and seemingly electrically fused – that characterised the famous pairing or alto saxophonist Ornette Coleman and trumpeter Don Cherry; while their solos are freely melodic, somewhat in the Coleman vein.

Festival review | Stonnington Jazz 2014 by Greg Phillips

“Over an eleven day period, I’d seen a lot of jazz, a lot of great jazz. I missed a lot too, such is the extent of the festival’s program. ” Greg Phillips gives us a considered overview of the textured 2014 Stonnington Jazz Festival

Album review: Digital Seed (Mike Rivett)

Rivett has broken cover not with yet another musical artefact from a schooled and accomplished improvising musician, but with a true work of the imagination.

Cover of Ben Panucci Trio CD Short Stories - river with buildings lining the bank

Album review: Short Stories (Ben Panucci Trio) by John Hardaker

Such is the range and span of colours and shifting scenes across Short Stories. That all of this can be expressed through the limited means of a jazz guitar trio – to all intents and purposes acoustic – is not only a measure of Panucci, Boneham and Waples’ creative mastery, but also of their vision.

John Hardaker reviews Jazzgroove Summer Festival, Sydney – 17-20 January 2013

‘a strange and beautiful world conjured among the bricks and grime, the litter and the 7-11 stores’