Houle and long-time collaborator Yedid will be joined by bass player Sam Pankhurst to perform Yedid’s composition Myth of the Cave which Houle and Yedid recorded together over ten years ago for the German ‘between the lines’ label.
Search Results for: Sam Pankhurst
Two interviews with Marc Hannaford who is currently touring Australia with his New York Trio. In the first one, the brilliant pianist talks about his life in New York, and his current musical pursuit. In the second, he remembers his trio with Allan Browne and Sam Pankhust, documented in the album Monday Dates.
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Phil Treloar takes it from there, his playing a way to clarify things, put them in order and into perspective.
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Live (Jazzhead) Paul Williamson Quartet Review by Samuel Cottell Trumpeter Paul Williamson has an incredible ability to create diverse musical landscapes with other performers. His previous album, […] Read More
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20Up sees the AAO return to the place of its first concert: the Malthouse Theatre in Melbourne. A total of twenty-five musicians will perform a range of works from Ringing the Bell Backwards, the first work written for the AAO by Founding AD Paul Grabowsky which premiered at Malthouse in 1994; Passion, which is the AAO’s take on Bach’s St Matthew Passion; Testimony, Sandy Evans’ extraordinary tribute to Charlie Parker; Struttin’, Eugene Ball’s impressionistic take on Louis Armstrong, and a brand new commission from young composer, Austin Buckett called Virtuoso Pause.
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This album is both intellectual and exciting, earthy and ethereal. The sheer quality of the playing is overwhelming. I sincerely hope that Melbourne continues to embrace the tradition that has evolved around Browne and his disparate associates.
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Allan Browne, poet that he is, holds the art of space: not just knowing what to say and when to say it but knowing what not to say and when not to say it.
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lost in the stars | allan browne trio Released June 2013 on Jazzhead From the media release The Allan Browne Trio with Marc Hannaford and […] Read More
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Exhilaration does not fade for those who are listening rather than assuming. It builds as the bricks seem to be stacked more rapidly to form more complex percussive patterns. Or are thrown one by one through the air.
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‘…we might fall on our arses once or twice, but it’s often when you’re searching that the best things happen…’
