Angela Davis: ‘New York forces you to be completely honest with yourself’

Angela Davis: “It has always been a dream of mine to record with strings – some of my favourite albums are ventures in jazz with strings; Art Pepper’s Winter Moon, Lee Konitz Strings for Holiday and Paul Desmond’s Desmond Blue. To me there’s something profoundly beautiful about the timbre of the alto saxophone blending with a string section.”

A cathartic experience (War Cry @ Stonnington Jazz)

A cohort of inspired, inspiring women took to the stage, one by one sending out a War Cry, singing songs of Nina Simone and Abbey Lincoln and Sharon Jones – along with their own originals, all songs that describe what it means to struggle, to fight back, to do your bit to create social change, one note at a time, one verse at a time.

Madeleine & Salomon: “Music is our only weapon”

“This project deals with subjects that were big issues in America from the ’30s to the ’70s and the female singers at that time raised their voices, trying to change things with their singing. If some people may have been thinking that these issues were solved nowadays, Donald Drumpf’ s America and the #metoo movement show that it’s not the case. So by covering these songs, we raise our voices too, and keep on trying to open consciousnesses with music, which is our only weapon.”

Women are the future of jazz

One thing I’ve learned, while I was doing my homework, was that Australia’s first jazz band – literaly trading as ‘Australia’s First Jazz Band’ was formed in Sydney in 1918 by Belle Sylvia. So this year, we’re not only celebrating the centennial of Australian jazz, but also 100 years of female leadership in Australian Jazz. Not a bad legacy for a scene.