Album Releases

Jacqueline Gawler: ‘Stoneflower plays beautiful music with a little bit of chaos thrown in’

” We don’t confine ourselves to particular genres, or traditional interpretations of genres, and we don’t pre-determine too much about the music. All of us love pop, and have listened to loads in our time on the planet. And Brazilian tunes creep in because I find it hard to omit these from any setlist I’m involved in! Aside from that, Stoneflower creates a very gentle, magical sonic palette that doesn’t attempt to prove anything to listeners.”

Richard Pavlidis: ‘I aspire to reach a listener, even one single person, in the way that some of my favourite players have affected me’

“The music on this [‘Without Within’] should be very accessible to uninitiated jazz audiences, as well as hopefully having something there of deeper musical interest. I tried to use mood and emotion as a guide for the compositions, just like a pop song writer might,” says saxophonist Richard Pavlidis.

Sandy Evans: ‘the potential for collaborations between jazz and Indian musical traditions is almost infinite’

“In Bridge of Dreams, the collaboration between myself, Shubha and Aneesh was at the core of the creative process. I am not in any way expert in Hindustani music – they are! They generously share their knowledge, are willing to experiment, trust, take risks, and allow me to use my instincts to shape and recontextualise the musical materials they offer. “

Harriett Allcroft: ‘Recording the album made me realise that I do have things to say’

“Sometimes I will sit down at the piano and just begin to sing, and the melody and lyrics will magically appear and the flow will keep going until the song is finished all in the one evening. Other times, I will hear a little riff that gets stuck in my head, and I will write something off the base of that, but won’t finish the song for months – or years ! “

Jennifer Salisbury: “Singing is so much easier than talking!”

“For many many years I worked long hours and studied and did not participate in any of the creative activities I often heard the call to begin. Call of the Wild is about the call that never leaves you, a constant gentle reminder of better ways to spend your time.
Many of the songs from this album were written in the car on the way to my day job; one was written while I was folding the washing, another while I was cleaning the house. The melodies came to me when I was stuck in domestics or the inescapable necessities of daily life.”

Review: Ingrid James & Louise Denson – Wild Silk Strings Project/ Colours of your Love

Denson and James sign five of the album’s twelve songs, all works of exemplary craftmanship that deserve a place in the Australian Jazz canon (if there is such a thing). My personal favourites are the upbeat ‘Wild December Wind’ and the introspective ‘Maybe Tomorrow’ (I’m a sucker for 3/4 tunes); both perfect vehicles for Ingrid James to showcase her ability to convey real, almost tangible, emotions. You can feel her voice embracing and caressing you.