A personal reflection on Bob Barnard

Everything Bob played was a melody of its own. The way he would weave the notes through the harmonics of a song somehow keeping the integrity of both melody relevance and the critically important harmonic notes, was something to marvel at.

Zela Margossian: ‘The Road is my journey to new experiences and discoveries through music’

The words ‘ethno-jazz’ and ‘folk-jazz’ often come up, when people try to describe Zela Margossian‘s music, but make no mistake: this is not a sub-genre, […] Read More

[REVIEW] Parkside – Hilary Geddes’ sonic exploration

“Hilary Geddes is equally comfortable using her guitar to evoke ambient spacious soundscapes as she is weaving single note melodies through complex chord changes, generating raucous energy through angular lines and overdriven rock solos.”

REVIEW: Keyna Wilkins’ crossover projects

With these two recent albums, one solo piano, another an ensemble project, Keyna Wilkins shows something of her style and musical imagination.