The idea was to foster a collaborative approach to the music making and invite the other musicians to contribute their compositions and favourite tunes as well, rather than me having complete control over the repertoire (as was the case in the Andrea Keller Quartet). By opening things up like this, there’s diversity to the music that otherwise wouldn’t exist to the same degree.
Keller’s harmonic sense throughout seems to have its own logic, following its path to places, once arrived at, are just where we want to be. Like all valid jazz writing, her compositional language seems to suit the soloists just fine, too.
Inspired and inspiring, sensitive, daring and insightful, Andrea Keller is one of the brightest stars of the Australian jazz and improvised music community. A restless […]
An exceptional album. Their previous album Moments In Time had a folkish feel to it. This one is different; it tells a story, a tale of collaboration between different cultures, South American and Asian, Middle Eastern and European, a blend of jazz, world music, pop and a bit of R&B. The result: a multi-layered cultural mix that can only be Australian
From the media release The Australian Art Music Awards finalists have been announced. Among them (of course) are a number of Australian jazz musicians and […]
Over the 10 day duration of the festival I’d encountered orthodox jazz rhythms, experimental jazz and music that you could argue was not jazz at all. Had I selected a different schedule of artists, I may have had a totally different festival experience altogether, such was the variety of shows on offer.
2014 Australian Jazz Bell Awards – Winners Announced www.bellawards.org From the media release The cream of the Australian jazz community gathered in Melbourne’s elegant Plaza […]
In his liner notes (notes worth the price of admission in themselves), NYC based pianist Barney McAll – no slouch in the ‘daring’ department himself – says, ‘(Keller) has been blending memories, sonic pictures, Bartók, Shorter and an immaculate classical technique to ensure her trajectory could never disappoint. Andrea is a serious inventor.’
This is Williamson’s eighth album since 2001’s wonderfully-named Non-Consensual Head Compression and, as well as being an obvious evolutionary step, it is a beautiful thing.
APRA (Australasian Performing Right Association) and the AMC (Australian Music Centre) are proud to announce the finalists for the 2013 Art Music Awards, an event which celebrates the outstanding achievements of composers, performers and educators in the dynamic fields of contemporary classical, jazz and experimental music.