The Outsider reflects an on-going commitment to building a body of work intent on exploring the great tradition of the piano trio, as epitomized by the work of artists such as Bill Evans, Keith Jarrett, Brad Mehldau, the Esbojrn Svensson Trio, or The Necks.
“Well, I do want to keep Refraction as a concept going, even if that means we don’t get to perform together. It may mean I find a new trio over here in the US, or it may mean that we do something conceptually very different, for example creating some sort of recording separately – me in Nashville, Jordan in Melbourne and Brenton in Adelaide. It could work, although the music would likely be very different. It’s something that I would be keen to give a shot.”
” I think the way the trio plays has evolved and is sounding more unified – which is what happens with time spent playing together, and I think the new recording reflects this.
We’re still definitely exploring the textual and dynamic changes, going from relaxed tempos and feels through to some faster and more frenetic pieces.”
what a brilliant idea it was to invite Jones to join the list of distinguished guest artists to record with students at Monash University’s Sir Zelman Cowen School of Music. What insights for those with the wit and empathy to understand that what was on the table was not a master-class in music or singing or anything so mundane. No this was much more important: a master-class in artistry, which is to say a lesson in life.
