Leigh Barker: ‘Objectively speaking, the best repertoire is from the 1920s and 1930s!’

When Leigh Barker moved from Australia to France, a decade ago, our community lost a champion of hot jazz, a dedicated ambassador of the sounds and stylings of early-to-swing-era music. (Actually, we lost two, as he was joined by his partner in life and music, Heather Stewart a spectacular jazz vocalist and violinist in her own right.)

Now the bassist, bandleader, and composer is back, with a new album, Cross Street, and a heavy schedule of performances throughout Victoria, NSW, and ACT. Just before stepping on stage at the Wangaratta Jazz and Blues Festival, he took a moment to talk about his approach to music, his admiration for his talented partner, their life in Paris — and how to close a formal letter addressed to a French person.

Alexander Beets: ‘Create your own jazz club!’

There’s a reason Alexander Beets has been nicknamed ‘The Hurricane’; yes, the nickname refers to his tempestuous playing and his big sound, but if you talk to him, you can understand how the sound is a natural byproduct of a big personality.

Niran Dasika: “I like to imagine my albums as fantastical creatures”

“I set out with the goal to make a standard jazz trumpet quartet album, but my intention from the beginning was to fail, and in that we succeeded far better than I hoped. The result is something pretty special and I feel proud to call it my own music!”

Ellen Kirkwood: “I enjoy writing music that has a story to it”

“Lately I’ve taken a liking to the term ‘Prog Jazz’. I like it because I like Prog Rock, and what I like about Prog Rock is that theres a story to it; it creatively moves between various interesting sections of music, and listening to it is like an adventure. My music is like that. “