
The Melbourne Women’s International Jazz Festival and The University of Melbourne are proud to announce the inaugural LUMINA Composition Award. This award is open to […] Read More
The Melbourne Women’s International Jazz Festival and The University of Melbourne are proud to announce the inaugural LUMINA Composition Award. This award is open to […] Read More
The 2024 Sydney International Women’s Jazz Festival (SIWJF) will feature over 60 global and local artists across seven Sydney venues this Spring, from October 24th to November 3rd. Now in its 13th year, SIMA has championed groundbreaking artistic innovation and diversity featuring the leading women in jazz.
Elly Hoyt has harnessed the power and beauty of music, not simply for its own sake, but to give voice to those we have heard far too little from.
And that from anguish to giddy silliness, and everything in between is the scope of [A]part. It is a massive piece in every way: challenging to the ear and the mind, highly original (as we know Kirkwood to always be), often cerebral and abstract, all the time threatening to be too much to take in in one sitting. But what saves it from possible overwhelm is that Kirkwood never loses the emotional thread in the music; it is human music and it consistently makes you feel. Sometimes, as with all valid contemporary art, those feelings can be baffling or even plain uncomfortable, but you do feel them deeply.
Slater’s voice is a perfect choice for the Trio and Stephenson’s songs. Bell-clear, it is a fluid thing, like smoke or drifting water, avoiding any grating blues edges or forced earthiness. It is this instrumental quality a hallmark of all valid jazz singing that fits so neatly with the modern angles and curves of Stephenson’s compositions
“I want singers to dig deep into their potential, to strive to be the greatest musicians they can be, to sing with integrity, unapologetically into the world”
“We’re seeing more women artists in jazz, but perhaps not at the rate we’re expecting. I think one of the biggest challenges is to encourage young players to pursue music at a tertiary level and beyond.”
Keller’s harmonic sense throughout seems to have its own logic, following its path to places, once arrived at, are just where we want to be. Like all valid jazz writing, her compositional language seems to suit the soloists just fine, too.
Sydney’s Jazzgroove association fifth Summer Fiesta was spread over three venues in Ultimo: Foundry616, Lord Wolseley (I was judged too declassé to admit here) and […] Read More
Still Still (Which Way Music) Gian Slater Recorded at Headgap studios June 27-28 2011 Review by Leon Gettler Gian Slater is every vocalist’s dream. Her […] Read More