
It’s very obvious that Hank Marvin loves what he does, what he’s been doing for a lifetime, and this love spreads through his fingers, his guitar’s body, the PA system and wraps the listener in a heartwarming embrace.
The Jazz community of Australia and New Zealand
It’s very obvious that Hank Marvin loves what he does, what he’s been doing for a lifetime, and this love spreads through his fingers, his guitar’s body, the PA system and wraps the listener in a heartwarming embrace.
The ‘Soundproof the Future’ fundraiser gig at The Night Cat was everything I love about Melbourne music and more. A veritable melting pot of musical culture and style; multi-cultural, multi-age and cumulative decades upon decades, of honed skill and talent.
Talented pianist and composer Blakey presents a set of varied tunes which are performed by a band that is not only great, but one that has at its heart, the spirit of creativity.
“The creativity and exploration harmonically and rhythmically is so special within those relationships [of the Miles and Coltrane bands of the ’60s], and I wanted to emulate that same feeling with my own group.”
Adam Rudegeair really knows how to pay tribute to his heroes. His love for Prince led him to create the ultimate homage to the Minneapolis […] Read More
“An annual jazz festival is an important opportunity to showcase the incredible musical talent here in South Australia,” says AJF Producer and Artistic Director, Kaya Blum. “This year’s program stretches across an exciting range of jazz styles.”
The Mouth is easily one of the best live acts in Melbourne at the moment, a must-see (or rather, must-experience) performance
Whether you’re a die-hard jazzophile or looking for a night of world-class entertainment, this is live music at its finest — up close and personal. From timeless standards to modern jazz brilliance, don’t miss out on the best of live jazz in the intimate, welcoming atmosphere of The Lounge.
“On a personal level, this simple play on words — 32 bars, in 32 bars — gives me both a great goal-setting framework and a quiet assurance that, after 32 songs, I will have scooped out enough of the melodic, harmonic and lyrical cacophony to settle my fevered mind.”