“This might sound silly, but as a kid my parents gave me this dumb quote on a bit of wood to go on my shelf. ‘The best way to get something done is to begin.’ This sickly phrase actually sits really well with me, and has totally been a call to action for me many times. For me creativity requires action.”
In this episode I’m talking to Scott Tinkler, one of the most exciting and formidable trumpet improvising musicians in the world.
When the decision was made to move to an all-online mode of delivery, the Festival reached out tokey organisations across the nation. What came back was unreserved enthusiasm, generosityand drive to make things happen.
The Creative Music Intensive residency, established in 2014, is a groundbreaking cross-cultural residency created by the Australian Art Orchestra, aiming to provide a unique professional development program for musicians from across Australia and Asia, fostering collaboration and dialogue in a meeting of cultures and practice
Andy Fiddes’ writing shines as bright as Tinkler’s playing. The range of colours, the breadth of ideas – so many audacious chances taken, chances that all work beautifully – the mastery of the idiom: pushing the big idea of The Big Band forward while deeply knowing its traditions (you can hear echoes of the history all across Fiddes vs Tinkler).
“As far as music goes, I reckon I sound like me, and no one else, that’s really what I feel good about. I have a long way to go still, plenty more to explore and learn, but having your own sound and being recognised by it is surely what I feel is most important, other than not sounding like shit. “
“When you’re playing with someone you admire, you might be worried if they’re enjoying what you’re playing – or if you might not live up to their expectations”.
20Up sees the AAO return to the place of its first concert: the Malthouse Theatre in Melbourne. A total of twenty-five musicians will perform a range of works from Ringing the Bell Backwards, the first work written for the AAO by Founding AD Paul Grabowsky which premiered at Malthouse in 1994; Passion, which is the AAO’s take on Bach’s St Matthew Passion; Testimony, Sandy Evans’ extraordinary tribute to Charlie Parker; Struttin’, Eugene Ball’s impressionistic take on Louis Armstrong, and a brand new commission from young composer, Austin Buckett called Virtuoso Pause.
extempore and the Wangaratta Festival of Jazz and Blues have collaborated with National Jazz Award winners from every year of the festival since it began. The result is this eclectic set of souvenir postcards from some of our most creative musicians.
The Foundry 616 Harris & Mary Ann Streets, Ultimo, Sydney. 3 September 2014 Review by John Clare Walking from Glebe to the relatively new jazz […]