I told my Dad about it and he was so happy to hear that [Bill Frisell and I] would be working together. I said something like, “Hey Dad, I’m a jazz cat!”
I told my Dad about it and he was so happy to hear that [Bill Frisell and I] would be working together. I said something like, “Hey Dad, I’m a jazz cat!”
I get tired of seeing films about loud, arrogant figures who feel the need to be up front, in front, or affronting; even the way Bill arranges the band on stage says so much about his attitude, how its about the music, how he tries to affect the music from the inside out.
“I’m not a big fan of the word fusion, because it feel binary to me, and I’m trying to achieve a sound that is multifaceted and fluid. And I think this sound reflects our world today, one which is increasingly more complex and interdependent”.
“There is undeniably an underrepresentation of women across all aspects of the music industry. You can’t be what you can’t see.”
“I came to better understand Coltrane; he often sounds like a preacher. I aspire to have this effect on people, than just show off my chops”.
AJN: Some think that a tribute to Vince Jones is long overdue and that the jazz community should gather and honour your contribution. What are your thoughts on that?
VJ: Give me a few more years to write some more songs before any tributes.
” I always have to have an emotional connection to the song, otherwise I don’t feel I’ll be able to do a good job. I’ve never been good at pretending, so it has to be honest and real”.
“When you’re playing with someone you admire, you might be worried if they’re enjoying what you’re playing – or if you might not live up to their expectations”.
“Adding a guitar to the Vampires distinct chord-less sound world is of course new, however we feel that Lionel’s contribution will help inspire and spur us onto new musical territory. Nick and I have also composed music with Lionel in mind, and so the music will accommodate and make way for his unique style of playing.”