Q: Lucy Clifford, what’s the story behind your debut album, Between Spaces of Knowing?

“The album is dedicated to this idea of finding presence, and listening to one’s honest self, a process that exists most powerfully between all the motion and all the thoughts.”

MWIJF launches LUMINA award

The Melbourne Women’s International Jazz Festival and The University of Melbourne are proud to announce the inaugural LUMINA Composition Award. This award is open to […] Read More

Fiona Burnett: ‘Morgana always challenged the stereotype of jazz’

“Morgana was a positive force in my life and gave me a lot of purpose”

Elly Hoyt – The Composers’ Voice: Female stories told from a female perspective

Elly Hoyt has harnessed the power and beauty of music, not simply for its own sake, but to give voice to those we have heard far too little from.

Sonja Horbelt: ‘Everyone in Kennedy Snow inspires me’

“I’m a big fan of electronic music and electronic pop, and I feel the Kennedy Snow music is headed in a very textural direction, with improvisation being probably the strongest jazz element present, rather than traditional jazz harmony or the swing aspect. But then again, jazz these days can be so many things that I struggle to label it as ‘jazz’, just that all the members have a jazz background.”

Sonja Horbelt: ‘the Melbourne Women’s International Jazz Festival aims to feature role models for female student musicians’

“We’re seeing more women artists in jazz, but perhaps not at the rate we’re expecting. I think one of the biggest challenges is to encourage young players to pursue music at a tertiary level and beyond.”

Sonja Horbelt: the force behind the Melbourne Women’s International Jazz Festival

“Jazz was never a career option for women and that we’re still catching up to our male counterparts, in terms of numbers, but significantly this is changing.”