Shannon Barnett writes brilliantly for jazz – there is challenge, rhythmically and melodically, but there is also space enough to move around in.
‘Round Midnight’ because of three reasons: I love that song, its not classical music, and it is very complex – harmonically and melodically – so it was a challenge for all of them. The structure of that cycle was turned in four parts: morning, afternoon, evening, round midnight. The idea is that the theme could be discoloring, like the Rouen Cathedral by Monet, from the strong light of morning to the dreamlike atmosphere of midnight. Joel Hoffman, dean of CCM at University of Cincinnati, and respected composer, loved the idea and supported it.
“Our main wish behind the collaborative video series is to celebrate Australia’s current thriving writers and performers. We’ve chosen performers whose music truly moves us, shapes our own sound and brings something complementary yet alternative to the Market Lane sound platter.”
This strange sense of yearning and of trying to capture the essence of a memory and understanding that memory is fallible and you can never really re-experience something as it was, I was interested in that and interested in the way that music can communicate that gradual decay of memory. So the piece is kind of about patterns and the decay of patterns, it’s about memory and the beauty of decay.